As part of its participation in the Dubai Shopping Festival (DSF) for the straight
ninth year with a variety of cultural and edutainment programmes, the Dubai
Department of Tourism and Commerce Marketing (DTCM) is organizing a unique
international exhibition on ‘The Art of Arabic Calligraphy’ starting from January
15.
The month-long exhibition is one of the main attractions of the programmes lined
up by the department for this year’s edition of the trend-setting retailing and
recreational extravaganza.
The exhibition is being organized in cooperation with the Istanbul-based
Research Centre for Islamic History, Art and Culture (IRCICA), part of the
Organization of Islamic Countries (OIC) with a membership of over 140 countries.
Details of the exhibition were announced by the DTCM Manager Events and
Supervisor of the Arabic Calligraphy Exhibition, Mr. Marwan bin Beyat at a Press
conference held at the Sheikh Saeed Al Maktoum House – the venue of the
exhibition.
Also present were Mr. Mohammed Al Tamimi, Representative of IRCICA, and Dr.
Nabil Fathi Safwat, Professor of History of Islamic Art.
Mr. bin Beyat said: “Arabic calligraphy is one of the fundamental and most
respected art forms in the Arab and Islamic arts. This exceptional collection of
works by the contemporary calligraphers will offer insights into the art of Arabic
calligraphy and its contribution in the Arab and Islamic history. This show fulfils
the need for creating further awareness about the rich and varied Arab and
Islamic arts and culture.”
He added: “The exhibition provides a perfect platform for learning about the
entire spectrum of Arabic calligraphy, its history and evolution, and development
and influences of different calligraphic styles– Thuluth, Kufi, Diwani, Naskh and
Taliq.”
Visitors will also have the opportunity to watch the calligraphers live in action
and learn calligraphy in addition to the making of special paper, Al
Marmari, along with calligraphy on different metals and wood. Some of the calligraphic
works will be on sale.
A documentary film on the calligraphy, produced by the IRCICA, will be screened
at the venue. There will be a display of materials used in calligraphy like special
paper, reed and brush pens, inkpots and sharpening tools.
Mr. Al Tamimi said over 100 selected works of three generations of calligraphers
from seven Arab and Islamic countries will be showcased at the exhibition.
Twenty one distinguished calligraphers will be personally participating in the
exhibition showcasing their most representative works of creativity. Works of
three women calligraphers and illuminators are part of the show.
He said twelve of the participating calligraphers are from Turkey followed by the
UAE with three, two each from Iraq and Syria, and one each from Jordan and
Sudan. Eight Turkish calligraphers and one Iranian calligrapher have sent in their
works for display.
Prof. Fathima Darman, a Turkish expert specializing in the use of liquid gold in
the calligraphic works will conduct sessions to explain the art.
There will be a total of three calligraphy workshop during the month-long
exhibition and also lectures by Dr. Ali Alp Arsalan of Turkey on the art of calligraphy
during the exhibition.
Explaining the history and evolution of Arabic calligraphy, Dr. Nabil Safwat said:
“The Arabic calligraphy enjoys high esteem among all the Arab and Islamic art
forms. Arabic calligraphy is the art of elegant writing or inscribing letters in a
cultivated, artistic and stylized proportion.”
He added: “Calligraphy is the quintessential visual art form of the Islamic world.
Calligraphy presents the beauty and the essential aesthetic dimensions of the
Arabic letters.”
He said the exhibition reflects the great interest and support the Arabic
calligraphy was getting from the UAE intellectuals and art connoisseurs.
He thanked the DTCM for this latest initiative of bringing an important chapter of
the Arab and Islamic heritage and arts.
Mr. Al Tamimi said: “The IRCICA is involved in promoting the various aspects of
the Islamic arts. Of these, the arts of calligraphy and illumination receive a priority
and a special importance in its programmes and activities.”
He added: “The centre has also produced a major book entitled ‘The Art of
Calligraphy in the Islamic Heritage’ which illustrates the historical development
of the art of calligraphy right from its early pre-Islamic origins.”
Thanking the DTCM for its interest and support to preserve and promote Arab
and Islamic culture, he said the cooperation between the DTCM and IRCICA for
the calligraphy exhibition signals the start of long-term relations between the two
organizations.
He said this will be IRCICA’s second participation in Dubai after a series of
successful Islamic art shows across the AGCC states in 1992.
The exhibition is open to the public from 5 pm to 10 pm daily. There is no entry
fee for the visitors. |