The London Theatre Report, the first
quantitative analysis of the capital’s multi-faceted theatre
ecology, indicates that London is the most significant theatre
capital in the world, with a huge variety of types and sizes of
theatre across London’s boroughs.
The report has been commissioned by the
National Theatre and the Society of London Theatre ‘SOLT’ and is
authored by Alistair Smith.
The author worked closely with key figures from
the London theatre industry – Nick Starr (National Theatre
Executive Director), Julian Bird (Chief Executive of SOLT), Mark
Rubinstein (Independent producer and former SOLT President), Kate
Horton (Independent producer and former National Theatre Deputy
Executive Director), Matthew Byam Shaw (Independent producer) and
David Brownlee (UK Theatre Executive Director).
The London Theatre Report has, for the first
time, confirmed the size and shape, health and vibrancy of the
London theatre sector and provides a baseline for future analysis.
Nick Starr, Executive Director of the National
Theatre, said, “While there has been for some time an awareness
that London is a world city for theatre, we've hitherto lacked the
data to see just how big it is; and how the inter-connected
sectors of commercial, subsidised – and the very significant
further non-profit sector that works without subsidy – combine to
form a vast audience for theatre. These are valuable insights not
only for the capital, but also nationally and internationally –
and valuable too, I hope, for policy makers across government.”
Highlights of the London Theatre Report include:
• London has 241 professional theatres with a
seating capacity of more than 110,000;
• In 2012/13, more than 22 million people
attended London theatre performances;
• In 2012/13, London theatre took £618.5m at the
box office, more than was taken by London cinemas;
• Theatres range in size from the 30-seat Lord
Stanley Pub to the 3,600-seat Hammersmith Apollo;
• At any one time, London’s theatres engage more
than 3,000 performers. In addition to this, there are more than
6,500 full-time non-performing staff employed by London theatres,
with a further 5,000+ part-time staff and 5,000+ freelance staff;
and
• In 2012/13, the average theatre ticket price
paid in London was £27.76. This was down on 2011/12.
Mark Rubinstein, Independent producer and former
SOLT President, said, “This is the first time we have had the
opportunity to consider the activity of all professional theatre
and theatres across London and really map their size, range and
engagement. This is a fantastic resource which acts as a snapshot
of the theatrical ecology today and provides a benchmark for
charting the evolution of London’s theatre scene in years to
come.”
Theatre,
London
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